Oesterheld discusses

his comic strip characters

Por Sergio Sinay(*)


The gallery of characters brought to life by Héctor G. Oesterheld is extensive. The following is of a review his most popular heroes, in his very own words.

Sargento Kirk
"He's a character from the West who isn't a great shot but has a zest for life. The stoy was originally intended to take place in Argentina so as to question every conventionalism: demystify the local military, redeem the villainous Indian, etc. It ended up being an early version of the revisionist westerns that would be published later on."
Bull Rocket
“Civita asked me to create character whose job was test pilot. I did that at first, but then I bestowed further traits onto the character until he had become a man of science who was also a man of action. I think I projectyed my own scientific education and cultural background onto Bull Rockett. "
El Eternauta
It started out as a short story, just 70 panels long. But then it turned into a much longer story, a sort of sci-fi adaptation of Robinson Crusoe. I was mesmerized by the idea of a family left alone in the world, surrounded by death and an unknown and unreachable enemy. I thought about myself, my family, isolated in our house, and I began to wonder ´what if...´"
Ernie Pike
"I have never taken part in any actual battle, nor do I have any real-life combat experience. But I have always been concerned about what happens to the human beings who end up beign sent to fight and who are, ultimately, ignored or forgotten. So I created this series of stories based on marginal anecdotes about the feelings, emotions, and problems of these individuals, regardless of which army´s uniform they wore.”
Mort Cinder
Thos story was first published 1962, during Misterix´s magazine brief second period. It is a comic strip full of anguish and reflections on death, memories, and the past. When I wrote it I was in a very dark place, and I think my own state of mind was reflected in the character, Mort Cinder. In addition, Breccia, the illustrator, was also going through a very tough period, and this ended up creating quite a mind-blowing combination of matching text and drawings.
(*) Source: ARticle by Sergio Sinay. Diario El Cronista - Suplemento Cultural #10, October 10th, 1975.